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as if you could kill time without injuring eternity - thoreau

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town (n.)

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Etymology is the study of the history of words. It is also one of the most interesting and most enlightening aspects of linguistics. The basic question of etymology is

Where does [word X] come from?

The answer usually draws on a range of possible sources. But actually the mechanics of how words become part of a language are quite basic.

Either you steal a word from another language or you make a new word out of old ones. The first should with linguistical correctness be called borrowing and the second is an umbrella term for many different mechanics of word formation like compounding, derivation, clipping and the like.

The words of the language we speak at any given time do not usually tell us simply by looking at them where they come from. Therefore etymology has to go back in time.

In this week's example you have to go back to the middle ages. Old English (O.E.) was spoken from the 5th to the 12th century in what now is England. It was the language of Beowulf. In the Middle English (M.E.) period a bit later in the 14th century you find our word of the week in Sir Gawain and the Green Knight and in Geoffrey Chaucer's Canterbury Tales.

The O.E. (Old English) meaning of "enclosed land with buildings" is later split in two. The English keep the "land with buildings" and call it town. The Germans get the "enclosed" and call it Zaun. Say both out loud and you realise how obvious it really is.

town at dictionary.com

 

keen (adj.)

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Have you noticed that my posts for word of the week have something in common. Both times I have emphasized phonetic qualities. In the first case it was the sound of what the word described, and last week it was the spitting sound of the word itself.
Indeed, the association of sound and meaning is one of the things that makes certain words more beautiful than others. It's what can make single words work their magic like poetry.
Such is the case this week. The appropriateness of the
velar plosive [k] followed by the long close frontal vowel [i:] is just perfect. I can picture the blade of a lovingly sharpened knife gleaming dangerously. More interesting is the derived meaning of the adjective when describing a person. We all know the phrase to be keen on sth as wanting sth really badly. But we are not so familiar with keen as a character trait. Surely, however, everybody knows someone who is very well described by that.
I also have several acquaintances in mind. But one of the best examples comes from literature. Sherlock Holmes is in my opinion one of the
keenest characters in literary history - at least when he absorbed in one of his criminal investigations.
Also, try to picture a tracking dog following a hot scent. That's a good image of
keenness.
As an interesting aside: just the other week I heard that US actor
Mark Ruffalo named his son Keen. Let's hope he will not be confused with keen (n.), an Irish funeral song.

keen on dictionary.com

 

spectre (n.)

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I came upon this wonderful word while reading Christopher Hitchens' God is Not Great over the autumn holidays. Literally it means ghost or phantom. But usually it signifies an event or object of terror, something that really has people scared. And often this object of fear is portrayed as looming just behind the horizon, an imminent danger ready to strike any moment.

The ghostlike nature of the spectre suggests that it might not yet be too late to ward against it. However, if you speak the word aloud you hear that this hope is probably in vain. The sharp hissing sound of the initial /s/ stopped abruptly by the /k/. Hearing that word is like being spit in the face, something you don't recover easily from.


Hitchens uses the word to bring back to life one of the darkest periods of Christian history: "[T]he jihadist assault reconjured the bloodstained
specter of the crusaders."

Christopher Hitchens, God is Not Great, p. 35.

This is probably the most famous occurrence of the word:"A spectre is haunting Europe -- the spectre of communism."

Karl Marx and Friedrich Engels, The Communist Manifesto, Preamble.

And apparently spectres also appear in Philip Pullman's trilogy "His Dark Materials". "They are creatures that resemble whisps of smoke, and eat your soul."

http://en.wikipedia.org/wiki/Spectre

How is that for haunting and scary?!

spectre at dictionary.com

 

wem soll die weißwurst im himmel schmecken?

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weisswurst In ihrem Kommentar mit dem Titel "Was gibt's im Himmel zu essen?" verdeutlicht Barbara ungewollt, warum gläubige und nicht gläubige Menschen über Fragen der Religion eigentlich nicht reden können. Es liegt an der Mauer des Glaubens , die ich an anderer Stelle schon erwähnt habe und deren Existenz unbestreitbar ist. Allerdings möchte ich ergänzen, dass ich meine Unfähigkeit zu Glauben nicht als Defizit begreife, sondern als Gewinn.

 

Last Updated on Thursday, 01 January 2009 22:16 Read more...
 

michael schmidt-salomon: manifest des evolutionären humanismus

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schmidt_salomon_003.jpg

Vor kurzem titelte der Spiegel-„Gott ist an allem Schuld" . Damit greift das Magazin eine Entwicklung auf, die sich parallel zur viel beschworenen ‚Rückkehr des Glaubens' vollzieht: Das erstarken eines modernen Atheismus, der bisher ein Nischendasein in Internetforen und religionskritischen Seminaren philosophischer Fakultäten geführt hat, erfährt durch die Titelgeschichte im Spiegel die Erhebung in den Adelsstand breitenwirksam präsentierbarer Kulturphänomene.

Last Updated on Thursday, 01 January 2009 21:13 Read more...
 

hugh laurie - america

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Hugh Laurie only needs three words to construct the lyrics for "America". And yet, he says it all, at least it appears as if he does to anyone who has in some way a connection with the "The States".


Last Updated on Thursday, 01 January 2009 21:02
 

blow-out (n.)

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What I like so much about this word is its graphic quality. It describes the sudden escape of air from a punctured tire. But also a big party or a great feast with wonderful food prepared in large quantities. The connection between the two meanings, describing a lavish meal or party in terms of an explosion is what I find so appealing.

I found both meanings in one and the same book. It struck me as odd to encounter a not so very common word used twice in the space of only about 30 pages with quite different meanings. The book is Hugh Laurie, The Gun Seller, London: Arrow Books 1997.

On page 147 the protagonist describes an obviously thin woman: "Ronnie was the sort of person to call a couple of grapefruit segments a major blow-out".

On page 175 the protagonist muses about how we usually live on the verge of disaster considering, among other things, how "many miles on the motorway without a front wheel blow-out" we usually drive.

Last Updated on Thursday, 01 January 2009 23:10
 


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